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Floating In a Most Peculiar Way

A Memoir

Audiobook
1 of 1 copy available
1 of 1 copy available

The astonishing journey of a bright, utterly displaced boy, from the short-lived African nation of Biafra, to Jamaica, to the harshest streets of Los Angeles—a searing memoir that adds fascinating depth to the coming-to-America story

The first time Chude-Sokei realizes that he is "first son of the first son" of a renowned leader of the bygone African nation is in Uncle Daddy and Big Auntie's strict religious household in Jamaica, where he lives with other abandoned children. A visiting African has just fallen to his knees to shake him by the shoulders: "Is this the boy? Is this him?"

Chude-Sokei's immersion in the politics of race and belonging across the landscape of the African diaspora takes a turn when his traumatized mother, who has her own extraordinary history as the onetime "Jackie O of Biafra," finally sends for him to come live with her. In Inglewood, Los Angeles, on the eve of gangsta rap and the LA riots, it's as if he's fallen to Earth. In this world, anything alien—definitely Chude-Sokei's secret obsession with science fiction and David Bowie—is a danger, and his yearning to become a Black American gets deeply, sometimes absurdly, complicated. Ultimately, it is a boisterous pan-African family of honorary aunts, uncles, and cousins that becomes his secret society, teaching him the redemptive skill of navigating not just Blackness, but Blacknesses, in his America.

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    • Publisher's Weekly

      November 16, 2020
      In this intricate memoir, Boston University English professor Chude-Sokei (The Sound of Culture: Diaspora and Black Technopoetics) chronicles a peripatetic youth that took him from the Jamaican halfway house where his mother, traumatized by her marriage to a murdered Biafran revolutionary, left him, to reuniting with her in Washington, D.C., as a preteen, and later striking out on his own as a young teenager in a rough Los Angeles neighborhood. Chude-Sokei writes of feeling like a stranger in his own land, whether it’s for his accent, his background, or his love of learning. Adding to this sense of unrest is an extended network of aunts, uncles, and cousins who come from different places and countries, leading Chude-Sokei to wonder how he fits into America as a Black person who is not culturally African American. Chude-Sokei’s understated, lyrical prose propels the memoir through action (his stay in a chaotic Kingston hospital after he is attacked during a visit) and the insights of a young man finding his identity when he’s too free-thinking for his traditionally minded African family and out of place in a post–Rodney King L.A. What emerges is a beautiful, plainspoken work in which Chude-Sokei concludes that the cacophonous diaspora he comes from is his actual culture. This hard-to-put-down memoir both enlightens and inspires.

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  • English

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