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Letters to a Young Poet

ebook
1 of 1 copy available
1 of 1 copy available
Born in Prague when it was part of the Austro-Hungarian empire and recognized today as a master of verse, poet Rainer Maria Rilke was considerably less well known in 1902 when he received a heartfelt letter from an aspiring poet. A 19-year-old student sent Rilke some of his verses, seeking an opinion of their worth. Rilke declined to offer a critique, instead encouraging the student to rely upon his own inner judgment: "Nobody can advise and help you, nobody. There is only one single means. Go inside yourself."
This seemingly dismissive letter proved to be the first of ten, written during a six-year period that coincided with an important stage in Rilke's artistic development. The poet offered his young correspondent further advice on developing a rich inner life as well as guidance on broader philosophical and existential issues. These letters, which explore many of the themes that later emerged in Rilke's best works, remain a captivating source of insights into the artistic identity and process.
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    • Publisher's Weekly

      August 24, 2020
      Rilke’s Letters to a Young Poet (1929) is given an expanded treatment including, for the first time, the letters from Rilke’s correspondent, with intermittently intriguing but underwhelming results. In 2019, Rilke scholar Erich Unglaub discovered the letters that Franz Xaver Kappus, then an Austrian military cadet and aspiring poet, sent to Rilke between 1902 and 1908. Some of them provide enriching context for Letters’ famous passages. For example, following Rilke’s third letter, on the value of solitude and the importance of attaining it, Kappus asks if “we are supposed to endure our solitude in love too” and “share with the other person only the one common element of each having this solitude.” Too often, however, Kappus’s replies are simply fawning, as when he praises Rilke’s words as possessing the “simple grandeur of the Gospels and the richness of fairy-tale kings.” Searls’s translation lacks the poetic tone of earlier editions, and the book’s structure is disappointing, placing all of Kappus’s letters together after Rilke’s, rather than arranging them chronologically. Rilke fanatics will find some value in seeing Kappus’s side of the conversation, but the power of the book still lies in Rilke’s letters.

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  • English

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